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Harry forged this distinctive style by studying at the feet of the masters, first as a sound man in the blues clubs of Toronto during his formative years and then under a rigorous five-year tutelage with Vishwa Mohan Bhatt in India. Bhatt is the inventor of the 20-stringed Mohan Veena, which has become Harry’s signature instrument. Even though he had played slide guitar for many years before arriving in India, he started back at the beginning under Bhatt’s tutelage, even re-learning how to hold the bar. From there, Manx learned Eastern scales and eventually ragas, deceptively complex and regimented musical patterns that form the basis of Indian composition. He spent three to four hours each morning practicing in Bhatt’s home before returning that evening for a jam session with the tutor, his sons and various other fellow musicians. “Sometimes I’d throw in some blues licks in the middle,” he says, “and everyone would fall over laughing and enjoying themselves. And I thought if I can get Indian people to enjoy Western music like that, then maybe I could get Westerners to enjoy Indian music, too.” Harry decided to explore this thread of connection between the two musical traditions. His signature style follows in the footsteps of such pioneering work as that of Joe Harriott and John Mayer and their Indo-Jazz Fusions in the 60s, John McLaughlin’s work with Shakti in the 70s, and Ashwan Batish’s innovative Sitar Power debut in 1987. Manx’s Indo-blues hybrid seems destined to be the most universally appealing yet. Born on the Isle of Man, Manx immigrated to Ontario with his parents when he was six years old. He started doing sound at age 15 and gradually worked his way up to becoming a regular sound man at the well-known El Mocambo club in Toronto, where he worked with a slew of blues legends. While Manx doesn’t consider himself to be a blues artist per se, he does admit that blues is at the heart of much of his work. “I’ve always had one foot in the blues from those days … what I got from those artists is a groove that’s fairly similar to theirs. That’s what I’m particularly interested in … the groove, and that’s the way I play blues today”
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Folk, Indian Classical, Blues
Superb performer at an excellent venue. He played for sets of over 45 minutes each, took lots of requests and interspersed the music with interesting anecdotes. Always a great show and this one was no exception!
Song Sparrow Hall Salmon Arm, BCOne of the best nights we’ve had in a long time. Wonderful relaxed atmosphere. Great venue. Harry’s playing was incredible- every note was spot on ! And mark Harris was absolutely flawless!!! ♥️♥️
The Rogue Folk Club Vancouver, BCAn intimate concert with a fantastic musician. The venue is nearly as quirky as the artist and both were delightful. Played all my favourites and added a couple of new ones to the list.
Studio 79 The Blue Mountains, ONI've had the pleasure of seeing Harry Manx 3 times, the last two at the awesome Aeolian Hall. Hope to see you again Harry, thx for playing at the Aeolian Hall.
Aeolian Hall Performing Arts Centre London, ONSaw Harry a couple of years ago at Bulli and then twice this week! His playing is brilliant. I recommend coming to his shows, to my friends and the occasional random stranger.
Camelot Lounge Marrickville, AustraliaYes, Harry Manx is currently on tour. If you're interested in attending an upcoming Harry Manx concert, make sure to grab your tickets in advance. The Harry Manx tour is scheduled for 40 dates across 29 cities. Get information on all upcoming tour dates and tickets for 2026-2027 with Hypebot.
Harry Manx is scheduled to play 40 shows between 2026-2027. Buy concert tickets to a nearby show through Hypebot.
Harry Manx's tour starts Apr 25, 2026 and ends on Jan 22, 2027. They will play 29 cities; their most recent concert was held in Bella Coola at Moose Hall and their next upcoming concert will be in Kimberley at Centre 64.
As part of the Harry Manx tour, Harry Manx is scheduled to play across the following venues and cities:
