JoJo Tour Dates and Upcoming Concerts
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the latest concert tickets, tour announcements, and exclusive shows near you. Dive into
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On tour
Yes
Followers
407,799
Category
Pop
Concerts
Feb
22
Marathon Music Works
Nashville
Tickets
Feb
25
House of Blues Houston
Houston
Tickets
Feb
26
The Factory In Deep Ellum
Dallas
Tickets
Mar
02
SOMA
San Diego
Tickets
Mar
04
The Wiltern
Los Angeles
Tickets
Mar
05
The Warfield
San Francisco
Tickets
Mar
08
Showbox SoDo
Seattle
Tickets
Mar
09
Roseland Theater
Portland
Tickets
Mar
12
Ogden Theatre
Denver
Tickets
Mar
14
First Avenue
Minneapolis
Tickets
Mar
15
Ramova Theatre
Chicago
Tickets
Mar
18
Masonic Temple Theatre
Detroit
Tickets
Mar
19
The Danforth Music Hall
Toronto
Tickets
Mar
21
Agora Theater & Ballroom
Cleveland
Tickets
Mar
23
Tabernacle
Atlanta
Tickets
Mar
25
The Fillmore
Silver Spring
Tickets
Mar
26
Roadrunner
Boston
Tickets
Mar
28
The Fillmore Philadelphia
Philadelphia
Tickets
Mar
29
Terminal 5
New York
Tickets
About JoJo
When JoJo walks into a cafe in LA's Studio City in 2019, she does so as a self-made, authoritative and impassioned 28-year-old woman who is ready to write her next chapter. A lot of what you might understand about her already is reactive: JoJo’s story has been one of overcoming circumstances. There are none such trials today. You feel it in her presence: a lightness, a joy, a sense of satisfaction. Joanna Levesque doesn't want to avoid the past, but she's ready to be present and to move into her future.
Sitting down in an Anita Baker vintage tee and leopard print pants, her arms decorated in tattoos, she oozes stardom and yet she's grounded and capable of easy connection. We know her as an R&B pop vocalist, but her admiration for music spans way beyond. “I don't love genre,” she says. JoJo's relationship with the idea of pop has been complicated by the era she not only grew up in but came up in. In 2004, “Leave (Get Out)” made her the youngest solo artist ever to reach #1 on the Billboard Mainstream Top 40 chart. She was 13, and it’s a record she still holds to this day. Since, she's sold more than 7 million records and is one of the biggest successes to ever emerge from her hometown of Foxborough, Massachusetts.
JoJo’s star has remained bright too, despite being unable to officially release music for a decade due to legal struggles with former label Blackground. Even after the breakout success, it was her independently released mixtapes between the years of 2010 and 2014 that truly cemented JoJo’s legitimacy as an artist – earning her both critical and peer support across the board, with artists ranging from SZA, Ella Mai and Maren Morris to Sam Smith, Camila Cabello, and Anne-Marie counted among her fans. In 2016, she made her heralded return to music with her first new album in 10 years, Mad Love. – debuting Top 10 on the Billboard Top 200 and receiving praise from the likes of TIME, Pitchfork, Rolling Stone, Cosmo, Entertainment Weekly and more. Most recently, JoJo re-recorded and re-released her first two albums (JoJo and The High Road) under her own label Clover Music, not wanting anyone to erase her legacy and story. She took back ownership, and was able to “give the fans the nostalgia that they couldn’t get” during her years of legal battles with her former label that prevented the albums from existing on digital platforms. She has also pushed herself outside the confines of genre, in the past year alone collaborating with artists ranging from PJ Morton [on the Top 10 R&B hit “Say So”] and Jacob Collier [lending her vocal stylings to the jazzy “It Don’t Matter”] to Tank [on his latest release “Somebody Else”].
And so, she's not here to talk about any drama today. Instead, she has a new body of work to be released via Clover Music, through a joint venture with Warner Records. She's feeling confident, hopeful – excited to be starting to share the music with the world and proud of the album to come in 2020. Her nerves discussing new music are palpable, though. She's anxious to convey just how much it means to her. “I want to be as grossly vulnerable as possible,” she says.
For the past year, JoJo has been working on music between LA and Toronto, with the help of producers Doc McKinney [The Weeknd, Santigold] and Lido [Halsey, Chance The Rapper]. “Joanna” is the first track she wrote, setting her own tone for what was to come. Renting an AirBnB with her best songwriting girlfriends, she started writing freestyles from a place of security and acceptance. “Freestyling is my way of getting out of my head,” she says. “Joanna” is a reflection on social media – specifically about the vicious judgment that takes place on social media and the toxic effects. It’s a chance for her to empower herself. Not all the criticism is external either. “Nobody can go harder on me than myself,” she says.
Growing up with just her mom, JoJo always felt like an outsider. Music saved her: Aretha Franklin, Etta James, Sly And The Family Stone, George Benson, Mariah Carey and eventually neo-soul. She enjoyed painting and geeking out about dinosaurs. “I'm wearing dinosaur socks today. That's who I am, I've accepted it!” She was rambunctious. She sang all the time. “I barely brushed my hair. I loved being an individual. I knew I didn't dress like everybody but I didn’t want to.”
When fame hit she enjoyed it, but she's only just started to understand the ramifications of reaching such heights so young. “Being famous at 13 was the best!” she says. “But it makes you feel like if you're not shutting down a mall with your presence, something must be off.” Watching other artists have more gradual rises than she was afforded has been difficult, but she says that it never got so bad that she had to dissociate from music. In fact, today JoJo remains a keen enthusiast, consuming music more than ever, leaning on singer-songwriters (Joni, James Taylor, Cautious Clay), going to tons of shows, recently Thundercat and Flying Lotus, Ed Sheeran and Justin Timberlake, to name a few. And she can always return to her first loves of '90s hip-hop and soul.
You hear the latter on the song “Sabotage,” a hip-hop-infused track featuring a guest verse by rapper CHIKA. Like “Joanna,” “Sabotage” started as a freestyle while JoJo was in Toronto with Doc McKinney. She was reflecting on the end of her last relationship – the decisions she had made that led to the end of it. “I betrayed the person that I loved,” she confesses. “A lot of people self-sabotage… I tend to do it in romantic relationships. And I think most of it roots to fear - fear of being inadequate, fear of getting hurt, fear of rejection, fear of not measuring up.” So this song is about JoJo owning up to those patterns, and taking responsibility.
She’s ready to get truly personal. “I'm 15 years into my career,” she squeals. “It's time.” She’s done the work on herself: therapy, yoga and meditation helped her regain control. “I've been talking to my same therapist for ten years,” she says. “She deserves a fricking credit on this album.” Losing her friend and peer Leah LaBelle when Leah was just 31 also forced a new perspective. “She's always going to be 31, no older. It’s a privilege to grow up, and I’m no longer fearful of my age. I feel stronger now.”
JoJo is also inspired by the authenticity of pop now. The landscape has changed since she started out, and she isn't afraid to recognize that performers like Billie Eilish, Hayley Williams, Lizzo, Maren Morris, Florence Welch of Florence And The Machine, and Cardi B are defying female expectations. “It's much chiller to be a popstar today. We don't need to fit into a certain dress size, a certain box, a certain sexuality, gender, anything like that,” she says. “I feel a lot freer. I can say whatever I want.”
And with that liberation she is ready to fire on all cylinders in 2020, with her fourth official album, getting back on the road to bring this music to her fans, and so much more. This time nothing is going to hold her back, or make her doubt her true voice. “It’s been such a humbling experience,” she says of the past few years. “I feel supported. It’s the right time. We’re on the ascent!”
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Genres
Pop
Photos
What fans are saying
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JoJo Tour Cities
New York, NY
Boston, MA
Denver, CO
Detroit, MI
Portland, OR
Seattle, WA
San Diego, CA
Silver Spring, MD
Philadelphia, PA
Cleveland, OH
Los Angeles, CA
Houston, TX
Minneapolis, MN
Chicago, IL
Nashville, TN
San Francisco, CA
Dallas, TX
Toronto, ON
Atlanta, GA
Frequently Asked Questions About JoJo
Concerts & Tour Date Information
Is JoJo on tour?
Yes, JoJo is currently on tour. If you’re interested in attending an upcoming
JoJo concert, make sure to grab your tickets in advance. The JoJo tour
is scheduled for 19 dates across 19 cities. Get
information on all upcoming tour dates and tickets for 2024-2025 with Hypebot.
How many upcoming tour dates is JoJo scheduled to play?
JoJo is scheduled to play 19 shows between 2024-2025. Buy
concert tickets to a nearby show through Hypebot.
When does the JoJo tour start?
JoJo’s tour starts Feb 22, 2025 and ends on Mar 29, 2025.
They will play 19 cities; their most recent concert was held in
Nashville at Marathon Music Works and their next upcoming concert
will be in Boston at Roadrunner.
What venues is JoJo performing at?
As part of the JoJo tour, JoJo is scheduled to play across the following
venues and cities:
2025 Tour Dates:
Feb 22 - Nashville,
TN @ Marathon Music Works
Feb 25 - Houston,
TX @ House of Blues Houston
Feb 26 - Dallas,
TX @ The Factory In Deep Ellum
Mar 02 - San Diego,
CA @ SOMA
Mar 04 - Los Angeles,
CA @ The Wiltern
Mar 05 - San Francisco,
CA @ The Warfield
Mar 08 - Seattle,
WA @ Showbox SoDo
Mar 09 - Portland,
OR @ Roseland Theater
Mar 12 - Denver,
CO @ Ogden Theatre
Mar 14 - Minneapolis,
MN @ First Avenue
Mar 15 - Chicago,
IL @ Ramova Theatre
Mar 18 - Detroit,
MI @ Masonic Temple Theatre
Mar 19 - Toronto,
ON @ The Danforth Music Hall
Mar 21 - Cleveland,
OH @ Agora Theater & Ballroom
Mar 23 - Atlanta,
GA @ Tabernacle
Mar 25 - Silver Spring,
MD @ The Fillmore
Mar 26 - Boston,
MA @ Roadrunner
Mar 28 - Philadelphia,
PA @ The Fillmore Philadelphia
Mar 29 - New York,
NY @ Terminal 5