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Ian Moss

Ian Moss Tour Dates and Upcoming Concerts

Welcome to the official artist page for Ian Moss – your premier destination for the latest concert tickets, tour announcements, and exclusive shows near you. Dive into the music, explore the artist’s reviews and photos, and never miss another concert moment. Stay updated, stay connected, and be the first to grab tickets for an unforgettable musical experience.
On tour Yes
Followers 42,864
Category International, Australian
Concerts
Feb
14
Riverboats Music Festival 2025
Echuca
Tickets
May
10
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Brisbane Central Business District
Tickets
May
16
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Adelaide
Tickets
May
17
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Perth
Tickets
May
24
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Sydney
Tickets
May
30
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Hobart
Tickets
May
31
IAN MOSS + Trio - One Guitar One Night Only 2025 Tour
Melbourne
Tickets
Oct
19
Rock The Boat 2025
Sydney
Tickets
About Ian Moss
Respected as one of Australia’s iconic musicians, Ian Moss delivers an unforgettable sound – not only as a telling soloist on guitar but especially with his silken voice, ringing with clarity and resonating with pure soul. While primarily recognised as an axeman of unusual tenacity and sweet melodic sensibility, Ian’s distinctive vocal is the essential signature of his soulful, bluesy muse – as it has been since his first tentative foray into music during the early 1970s. Born and raised in Alice Springs, Mossy started playing guitar in local teenage bands but moved to Adelaide after failing one of his high school years, planning to repeat in the big city. Fate intervened when he answered an advertisement for a guitarist in a shop window in 1973, joining the band that was to become a legend in Australia – Cold Chisel. After Moss joined organist and principal songwriter Don Walker and drummer Steve Prestwich, the group took shape with singer Jimmy Barnes and eventually bass player Phil Small, starting the hard grind of playing gigs on the back of flatbed trucks and in suburban hotels. Barnes remembered young Mossy as “a boy from the bush who didn’t wear shoes but played fantastic”. They hit the road and paid their dues, playing countless one-night stands across the country. The reputation and status of Cold Chisel steadily grew, mainly on the strength of blistering live shows, and in time their well-crafted recordings became staples of radio airplay. By 1980, with the release of the seminal East album, Cold Chisel was the biggest band in the country. Moreover, they defined a national sound – hard-driving rock chased by a shot of blues, lyrics depicting the Australian experience and resonating powerfully with young working class fans. Moss’s voice began to shine through such seminal Cold Chisel songs as Never Before, Bow River (written by Moss) and a gorgeous rendition of Ray Charles’ Georgia. However, efforts to translate overwhelming Australian success to Europe and the United States failed to gain traction, serving to demoralise, frustrate and eventually dissolve the band at the height of its creative powers. While the band’s Last Stand tour in December 1983 closed an important chapter in Ian Moss’s musical career, Cold Chisel remains one of Australia’s favourite bands long after its demise. Enjoying the status of Australia’s best guitarist, Moss carefully evolved into a solo artist of the same calibre and commanding the same respect as Cold Chisel. After five years of patient nurturing, Moss released his debut single Tucker's Daughter in January 1989, and caused an immediate sensation. The anthemic song – which Moss wrote in collaboration with Don Walker – sat in the Top 10 for 11 weeks and hit No 1 for two weeks, achieving gold sales status after 15 weeks and selling more than 73,000 copies. Moss’s second solo single, Telephone Booth, was released in June that year, hit the Top 10 and remained in the Top 20 for 10 weeks. The setting had been established for Moss to emerge as an important solo artist. His debut album Matchbook, released in August 1989, entered the charts at No 1 and remained there for three consecutive weeks. It stayed in the Top 10 for 14 weeks and has sold more than 185,000 copies. When he went back out on the road, Moss’s live shows drew a hoard of Chisel faithful and a league of new fans. In 1989, Moss toured for 25 weeks, playing dynamic and energetic performances five or six nights every week to virtually full houses across Australia. Crowds were left hungry for more. Moss closed off a triumphant year by winning five Australian Record Industry Association Awards in 1989: Best Australian Debut Single for Tucker’s Daughter and Best Australian Debut Album for Matchbook, Australian Song of the Year for Tucker's Daughter, Best Australian Album for Matchbook and Best Australian Male Artist. In 1990, Mossy took his music to the world, touring and gaining airplay across Scandinavia and northern Europe. At home, as a live video recorded on the Matchbook Concert Tour went Gold on the day of release, Moss returned to the studio to start recording his second album, Worlds Away. Released in Australia in October 1991, the album was then issued in Germany, Austria, Switzerland and Scandinavia the following year. In 1993, Moss consolidated his growing European fan base with tours in April and May through Germany, Austria, and Switzerland, earning high praise in fantastic reviews. Moss took stock of his musical output in 1995, changing direction to embrace the blues in bolder fashion, and in the studio this translated to recording a much tougher album than his previous releases suggested. Petrolhead, his third solo offering that was released in 1996, had Moss playing bluesy rock with none of the heavily produced, big budget sheen that had been applied his late-1980s and early-1990s recordings. With lan Rilen (from Rose Tattoo and X) on bass, Paul Demarco (Rose Tattoo, Catfish) on drums and Don Walker on occasional keyboards and songwriting, the sound was recorded almost live, stripped back and honest without ever losing its innate power. “It was a conscious decision to get back to something I was always happy doing,” says Moss. “The result is tough, ballsy blues meets rock... plenty of heart, alive and kicking." A Cold Chisel reunion during 1998 – both in the studio for the recording of new material and subsequent touring to promote the resulting Last Wave of Summer album – put Ian back in the national spotlight as a showman and musician of dazzling ability. It reminded the Australian public of Moss’s alluring talent and diversity as a performer, as did another Cold Chisel reunion tour in 2003 and his input to Jimmy Barnes’ Double Happiness album of duets in 2005. However, during 2005, Moss’s musical output took another exciting fresh turn. He was invited to record an album of acoustic songs for Liberation Music and the Six Strings album – part of the Liberation Blue label’s engaging acoustic series – was the result. This bold renaissance of his solo career amplified Moss’s willingness to embrace new ideas and influences. “It took a bit of nerve for me to unplug and play acoustic, but it injected this freshness into my playing,” he says. “It was a significant new path for me.” Heartened by success for that album, a second chapter of Moss’s acoustic recordings – his sixth solo album Let’s All Get Together, released in 2007 – saw the input of guests including James Morrison and Margaret Urlich adding colour to striking new interpretations of familiar songs, including Flame Trees and Choir Girl. To support the album release, Moss undertook an extensive tour with former Noiseworks and INXS singer Jon Stevens, and further touring in early 2008 showed Moss to be an especially dextrous musical stylist; not just a rock player, not just an acoustic strummer, but a truly seasoned and rounded musical talent. In 2008, Moss was on the Australian television series It Takes Two, singing duets with celebrities and showing a side of his musical character that surprised many listeners. “When I put aside the guitar and sang a few soul ballads on that show, people were suddenly listening to me differently. They’d say ‘Yeah, we knew you sang, but we didn’t know you could really sing’. It was both flattering and frustrating. I kept wondering what they thought I’d been doing for past 30 years. It showed that there was a different side of my music that hadn’t really been heard by enough people before.” Mossy is now allowing his guitar work to take a back seat while he concentrates on singing – which is the focus of his new album Soul on West 53rd that features fresh takes on classic soul songs from the likes of Sam Cooke, Al Green, Otis Redding and Levi Stubbs. This product of New York recording sessions with producer Danny Kortchmar and an all-star band of soul session musicians, including drummer Steve Jordan, Leon Pendarvis on keyboards, Neil Jason on bass and Hugh McCracken on guitar, is another bold venture from Moss that will certainly turn heads. When audiences hear the power and excitement on Soul on West 53rd, it will reinforce what Ian Moss has to offer as a vocalist of repute. The album release will also give him the impetus to reconnect with his supportive legion of European audiences – and maybe even reach America. “It’s nice to fantasisie about that, taking my soul songs to America. I’d love to give it a try, but I know it won’t be easy.” Significantly, as Moss prepares to introduce material from his new album to live audiences, the influence of his New York soul sessions has inspired a new burst of songwriting for him. “Working with such classic songs has brought a lot of ideas for original material as well. For the next album, featuring my own songs, I’d expect it to follow the same style. There’s something really great going on here.”
Follow on Bandsintown
Genres
International, Australian
Photos
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What fans are saying
Carolyn
5 / 5
Loved it! Loved Mossy’s relaxed chat and story telling by way of introducing the next song. Great new tracks especially the country music awards potential song, “I’m going back” -beautiful! And great to hear Flame Trees and Choirgirl! And RPAC is a great venue - intimate and great acoustics! An excellent night.
Redland Performing Arts Centre Cleveland, Australia
May 12, 2024
Les
5 / 5
It was a absolute awesome night. Ian was great in taking the time to sign autographs and talk with fans. The show was amazing. Thanks Ian for the special mention in the intro to Message from Baghdad. Hope to see you again in Gippsland when you next tour here.
Gippsland Performing Arts Centre Traralgon, Australia
Dec 18, 2023
Christine
5 / 5
The show, from the Meet and Greet to his final bow was brilliant. Thank you Ian Moss for your music. The venue is wonderful, the staff are so fabulous, they make everyone feel as if they are very 'important people'. Thank you BREC. Definitely a 6 ⭐ star performance and venue.
Bunbury Regional Entertainment Centre (BREC) Bunbury, Australia
Feb 18, 2024
Des
5 / 5
Best show I've seen in years. Don't get me wrong, others are entertaining. but Ian's show was awesome. I know there are people behind the scene, but to think it was just a one man only show makes it extra special. Very intense, great sound. Just brilliant.
Dubbo Regional Theatre & Convention Centre Dubbo, Australia
Mar 04, 2024
Julie
5 / 5
Fantastic experience. Ian was wonderful, so talented. Kept the Audience spellbound throughout. The staff at the venue were friendly and helpful. No problems getting a car park. Highly recommended seeing Ian Moss if you get the chance, you will not regret it
Gippsland Performing Arts Centre Traralgon, Australia
Dec 17, 2023
Pamm
5 / 5
Great concert. Ian Miss never ceases to amaze. A great performer and story teller. His support act. Callum Wylie is an up and coming performer we will hear a lot more of in the future.
Frankston Arts Centre Frankston, Australia
Feb 24, 2024
Haydyn
5 / 5
The voice of this legendary Aussie musician is only eclipsed by his masterful guitar playing. An incredible performance from a humble and down to earth fella from the Alice. Thankyou Mossy, absolutely brilliant!
Shoalhaven Entertainment Centre Nowra, Australia
Feb 22, 2024
Warwick
5 / 5
Ian Moss is always sensational live. His performance and voice are still super strong and he is highly entertaining. Julian Moss was the support act and was a great introduction to the night!
The Tivoli Brisbane, Australia
Aug 07, 2023
Julie
5 / 5
Ian put everything he had into this concert from start to finish. Such a talented performer. He didn’t disappoint and the Bow River finale really brought his fans to their feet.
Regal Theatre Subiaco, Australia
Aug 19, 2023
Reid
5 / 5
Ian was fantastic as usual The promoter swapped our really good seats out for terrible seats due to not selling all seats and rationalising all of the venue
Regal Theatre Subiaco, Australia
Aug 19, 2023
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Ian Moss Tour Cities
Sydney, Australia Adelaide, Australia Echuca, Australia Melbourne, Australia Hobart, Australia Perth, Australia

Frequently Asked Questions About Ian Moss

Concerts & Tour Date Information

Is Ian Moss on tour?

Yes, Ian Moss is currently on tour. If you’re interested in attending an upcoming Ian Moss concert, make sure to grab your tickets in advance. The Ian Moss tour is scheduled for 8 dates across 6 cities. Get information on all upcoming tour dates and tickets for 2024-2025 with Hypebot.

How many upcoming tour dates is Ian Moss scheduled to play?

Ian Moss is scheduled to play 8 shows between 2024-2025. Buy concert tickets to a nearby show through Hypebot.

When does the Ian Moss tour start?

Ian Moss’s tour starts Feb 14, 2025 and ends on Oct 19, 2025. They will play 6 cities; their most recent concert was held in Echuca at Victoria Park and their next upcoming concert will be in Sydney at Carnival Luminosa.

What venues is Ian Moss performing at?

As part of the Ian Moss tour, Ian Moss is scheduled to play across the following venues and cities:

2025 Tour Dates:

Feb 14 - Echuca, VIC @ Victoria Park
May 10 - Brisbane Central Business District, QLD @ The Princess Theatre
May 16 - Adelaide, SA @ Hindley Street Music Hall
May 17 - Perth, WA @ Heath Ledger Theatre
May 24 - Sydney, NSW @ City Recital Hall
May 30 - Hobart, TAS @ Theatre Royal
May 31 - Melbourne, 07 @ Melbourne Recital Centre
Oct 19 - Sydney, Australia @ Carnival Luminosa
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