His Name Is Alive Tour Dates and Upcoming Concerts

From Livonia, Michigan, His Name Is Alive is known primarily as the creative outlet of Warren Defever who in the early-90s, along with vocalist Karin Oliver, became an integral part of 4AD’s storied history after label founder Ivo Watts-Russell fell deeply for their dark and fragmented sound; their self-released cassettes mysteriously landing in the post, consistently improving until he could ignore no more. Having recently reissued those early tracks as part of the lauded Home Recordings 1979-1986 trilogy (Disciples / Warp Records), the light now turns to their first three albums proper. Signing to 4AD in 1989, as Throwing Muses, Pixies, and The Breeders were beating a new transatlantic path for the label, they proved perfectly paired. While their sound was more in line with the gothic echoes of Cocteau Twins and Dead Can Dance than the visceral college rock of the aforementioned, His Name Is Alive also had a different, nonpareil quality, something existing on the boundary of this earth and another realm further underground. It was this otherness that piqued interest and proved the fulcrum of an unpredictable sound that often-changed tack before listeners could second guess. Their debut album Livonia, in all its broken jigsaw-piece glory, appeared in the summer of 1990. Produced by Ivo and his This Mortal Coil collaborator John Fryer, working from recordings Warren had sent their way (he later commented that they “took it apart, and didn't put it back together", on the surface, their signing made sense among the label’s well-established ethereal lineage. It was only after listeners started to peel away its layers that they discovered not only had the 4AD sound been reinvented and refracted through a prism, the album was an extraordinary depiction of a disturbing and often exquisite vista. A study in shadows, the album examined the dual themes of love and loss, being woozily delivered as if dreamlike. When reissued a few years later in the US, the album’s title track was added – a non-linear study in guitar distortion – which completed the record and is a track that now stands out as one of the band’s finest moments.