
68 Tour Dates and Upcoming Concerts
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On tour
Yes
Followers
49,244
Category
Grunge, Rock, Alternative
Concerts
Aug
14
The Cambridge Room at House Of Blues
Dallas
Tickets
Aug
15
The Rock Box
San Antonio
Tickets
Aug
16
House of Blues Houston
Houston
Tickets
Oct
03
Røros Kirke
Røros
Tickets
Oct
12
Santeria Toscana 31
Milano
Tickets
Oct
16
Wedgewood Rooms
Southsea
Tickets
Oct
21
Rescue Rooms
Nottingham
Tickets
Oct
22
Arts Club
Liverpool
Tickets
Oct
25
The Mash House
Edinburgh
Tickets
Oct
26
Tunnels
Aberdeen
Tickets
About 68
In Humor and Sadness, the debut album from ’68, demonstrates the loud beauty of alarming simplicity. A guy bashing his drums, another dude wielding a guitar like a percussive, blunt weapon while howling into a mic somehow manages to sound bigger and brasher than the computerized bombast of every six-piece metal band. A splash of roots, a soulful yearning for mid century Americana and the fiery passion of post punk ferocity rampages over a record of earnestly forceful tracks like a runaway locomotive.
Josh Scogin wasn’t out of elementary school when the Flat Duo Jets laid their first album down on two tracks in a garage. But the scrappy band’s spirit of raw power, punchy delivery, tried-and-true rhythms and urgent sense of immediacy is alive and well in ’68.
Heralded by Alternative Press as one of 2014’s Most Anticipated Albums, In Humor and Sadness is a snapshot of a fiery new beginning for one of modern Metalcore’s most celebrated frontmen. Produced by longtime Scogin collaborator Matt Goldman (Underoath, Anberlin, The Devil Wears Prada), the first full offering from ’68 is a broad reaching slab of ambitious showmanship delivered with few tools and fewer pretensions. The scratchy disharmonic pop of Nirvana’s Bleach is in there, for sure. And while many associate the setup with The Black Keys, ’68 is more like Black Keys on crack.
“I wanted it to be as loud and obnoxious as it can be,” Scogin explains. “I want it to be in-your-face. I want people who hear us live to just be like, ‘There's no way this is just two dudes!’ That became sort of the subplot to our entire existence. ‘How much noise can two guys make?’ It’s obviously very minimalistic, but in other ways, it’s very big. I have as many amps onstage as a five piece band. Michael only has one cymbal and one tom on his kit, but he plays it like it’s some kind of big ‘80s metal drum setup. It’s minimalistic, but it’s also overkill. We get as much as we can from as little as we can.”
Like many pioneers, North Carolina’s the Flat Duo Jet’s blazed a trail for more commercially successful people. They played rootsy rockabilly but with a punk edge. Band leader Dexter Romweber’s solo work was a fist-pounding celebration of audacity and disruption, which influenced the likes of The White Stripes, among other bands.
“I got excited when I thought about the distress, the chaos that this two-piece arrangement would create – one guy having to provide all of these sounds, with a bunch of pedals, with certain chords wigging out and missing notes here and there,” he says with excitement. “That alone makes up for the chaos of having five people up there.”
That idea of less is more, of building something big from something small, persists today at the top of the charts with The Black Keys, just as it’s lived and breathed in the bass-player-less eclectic trio Jon Spencer Blues Explosion, the rule-breaking early ‘90s destruction of Washington D.C.’s Nation of Ulysses, and in the two man attack of ’68.
“Jon Spencer’s records always sound like he’s kind of winging it and I love that,” declares Scogin, letting out an affectionate laugh. “In my last band, that’s how we tried to make our last record feel. The excitement and imperfection is something I love to draw from.”
Before paring (and pairing) things down with friend and drummer Michael McClellan, Josh Scogin was the voice, founder and agitprop-style provocateur in The Chariot, who laid waste to convention across a brilliantly unhinged and defiantly unpolished catalog of Noisecore triumphs and dissonant art rock rage. Recorded live in the studio, overdub free, The Chariot’s first album set the tone for a decade to come, owing more to a band like Unsane than whatever passes for “scene.”
Scogin was the original singer for Norma Jean and left an influential imprint on the burgeoning Metalcore of the late 90s that persists today, despite having fronted the band for just one of six albums. Whether it’s the genre-defining heft of Norma Jean’s first album or the five records and stage destroying shows of The Chariot, there’s a single constant at the heart of Josh Scogin’s career: a familiarity with the unfamiliar.
A new Metalcore band would be a safe third act for the subculture lifer, but Scogin isn’t comfortable unless he’s making himself (and his audience) uncomfortable. “I definitely wanted to flip the script a bit,” he freely confesses. “I’ve always wanted to play guitar and sing in a band, ever since I left Norma Jean. I needed the freedom of not having a guitar onstage, but now having done that for several years, I wanted the challenge.”
Creative problem solving has long been the name of the game for Scogin, whether he was hand stamping ALL 30,000 CDs for The Chariot’s Wars and Rumors of Wars album or figuring out how to pull off his ’68 song title concept in the digital age of iTunes. Each song on In Humor and Sadness was to be titled with simply a single letter, which when put together vertically on the back of a vinyl LP or compact disc, would spell out a word. However, it's problematic to name more than one song with the same letter, which would have been necessary to spell out what he intended.
’68 is the forward thinking progress of an artist who finds satisfaction in the expression of dissatisfaction. There’s progression in this regression. Tear apart all of the elements that have enveloped a singer’s performance, strap a guitar on the guy and set him loose with nothing but a beat behind him? It’s a recipe for inventive, fanciful mayhem.
After a raucous debut at South By Southwest, a full US tour supporting Chiodos and many more road gigs on the horizon, Scogin and McClellan are propelled by the excitement that comes along with the knowledge that ‘68 is truly just getting started.
“We’ve just broken the tip of the iceberg. We’re really just exploring all the different things we can do,” Scogin promises. “I’ll get more pedals, we’re try different auxiliary instruments, whatever – the goal is to challenge ourselves and challenge an audience.”
Follow on Bandsintown
Genres
Grunge, Rock, Alternative
Band members
Nikko Yamada, Josh Scogin
Photos









What fans are saying
Anonymous
Papa Josh melted my face off in proper fashion
10/10 would do it again and bring 20 people with me
Jakes Sports Café
Lubbock, TX
Jun 12, 2018
Jonas
They were fantastic... I saw them at Rockville a few years back as well.. Can't wait to see them again.
Ameris Bank Amphitheatre
Alpharetta, GA
Apr 22, 2022
Lec
Great live show. Josh’s voice was shot but he still gave it 100%. Nikko’s drummer is fuckin dope!
Metro Baltimore
Baltimore, MD
Apr 01, 2024
Kyle
68 always puts on an amazing show. Nikko is one of the most dynamic drummers you can see.
The Orpheum
Tampa, FL
Dec 10, 2018
Nico
All three bands were incredible! I was stoked to finally see ‘68 live! They certainly didn’t disappoint!
Cobra Lounge
Chicago, IL
Mar 26, 2024
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68 Tour Cities
Aberdeen, United Kingdom
San Antonio, TX
Edinburgh, United Kingdom
Nottingham, United Kingdom
Southsea, United Kingdom
Dallas, TX
Houston, TX
Liverpool, United Kingdom
Frequently Asked Questions About 68
Concerts & Tour Date Information
Is 68 on tour?
Yes, 68 is currently on tour. If you’re interested in attending an upcoming
68 concert, make sure to grab your tickets in advance. The 68 tour
is scheduled for 10 dates across 8 cities. Get
information on all upcoming tour dates and tickets for 2025-2026 with Hypebot.
How many upcoming tour dates is 68 scheduled to play?
68 is scheduled to play 10 shows between 2025-2026. Buy
concert tickets to a nearby show through Hypebot.
When does the 68 tour start?
68’s tour starts Aug 14, 2025 and ends on Oct 26, 2025.
They will play 8 cities; their most recent concert was held in
Dallas at The Cambridge Room at House Of Blues and their next upcoming concert
will be in San Antonio at The Rock Box.
What venues is 68 performing at?
As part of the 68 tour, 68 is scheduled to play across the following
venues and cities:
2025 Tour Dates:
Aug 14 - Dallas,
TX @ The Cambridge Room at House Of Blues
Aug 15 - San Antonio,
TX @ The Rock Box
Aug 16 - Houston,
TX @ House of Blues Houston
Oct 03 - Røros,
Norway @ Røros Kirke
Oct 12 - Milano,
MI @ Santeria Toscana 31
Oct 16 - Southsea,
United Kingdom @ Wedgewood Rooms
Oct 21 - Nottingham,
United Kingdom @ Rescue Rooms
Oct 22 - Liverpool,
ENG @ Arts Club
Oct 25 - Edinburgh,
SCT @ The Mash House
Oct 26 - Aberdeen,
United Kingdom @ Tunnels