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Orange County’s Social Distortion returns with its first album in 15 years with Born to Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that Social Distortion is more than just a punk band. Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. Born to Kill is a continuation of the bar of excellence that Social Distortion and, in turn, Ness has long been praised for. Born to Kill is a body of work that will live long in the Social Distortion catalog. Songs like the hard-charging title track that serves as the album’s mission statement, along with the riff-laden “Partners in Crime,” the nostalgic “The Way Things Were,” and rollicking “Tonight” are songs that fit in across any of Social Distortion’s various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, Social Distortion has no intention of slowing down any time soon. This is the short version of the Social Distortion bio — the long version could be a 10-part mini-series. But over the past 30 years, the punk godfathers in the band have all but trademarked their sound, a brand of hard rockabilly/punk that's cut with the melodic, road-tested lyrics of frontman Mike Ness. Their searing guitars and a locomotive rhythm section sound as alive today as they did in '82, as do Ness' hard-luck tales of love, loss and lessons learned. "The most common thing I hear is, 'Man, your music got me through some hard times,'" Ness says. "And I just say, 'Me too.'" Hard Times And Nursery Rhymes (produced, for the first time, by Ness himself) is the band's first record since 2004, but the break hasn't changed them much. It maintains Social Distortion's key components — an all-but-perfected mix of punk, bluesy rock n’ roll and outlaw country — but it also finds them stretching the boundaries of their signature sound. "I didn't want any one style of writing," Ness says. "I didn't want it to be all heavy, like "White Light, White Heat, White Trash." I wanted some heavy and some light. I wanted some fiction and some nonfiction. I wanted versatility." That's evident right away. The record's first vocal track, "California (Hustle and Flow)," finds Ness and the band not roaring out of the gate so much as swaggering behind a chunky Stones-style locomotive groove. "This record has a lot of my influences," Ness says, "But how far you go with those influences is up to you. With this record I wanted to go a little farther. I wanted people to hear that second track and realize, 'Wow, this is not just another Social Distortion record.'" (For good measure the track has hints of "Ball and Chain" and the Stones' "All Down The Line" and, for the first time, female backing vocals. "I've been listening to records for years with (backing vocals), and I was like, "Hey, why don't I do that?" Ness laughs.) Not that the band's punk foundations have eroded; the first single "Machine Gun Blues," a piece of gangland fiction set in 1934, could hail from "Somewhere Between Heaven and Hell." But the record is evidence of the band's ability to evolve. "Bakersfield," a setlist staple in recent years, is a waking-on-the-railroad-tracks story of wrecked love, forgiveness and Buck Owens; it closes with a spoken-word verse to make Merle Haggard smile. "Can't Take It With You" sports a Jerry Lee-style piano solo that scorches paint. And set closer "Still Alive" is a soaring carpe diem with an added emotional weight that can't be described or duplicated. "The album is reminiscent to me of "Somewhere," but it also has some of the darkness that "White Light" had. It has some of the flavor of "Mommy's Little Monster," Ness said. "I think it's very signature. We've never been afraid to evolve and show people what we can do." *** Now in their fourth decade, Ness and Social Distortion have officially done one of the most non-punk things possible: They've failed to burn out. Mixing Springsteen’s factory-overalls ethic with Southern California punk energy and black leather, Social Distortion formed with Ness and high school buddy, the late Dennis Danell, in the late 1970s; the group broke in 1983 with the thrashing plate of punk and displeasure "Mommy's Little Monster." Their 1988 follow-up, "Prison Bound," hinted at a sonic change to come, and by the band's self-titled 1990 record and 1992's "Somewhere Between Heaven and Hell," their sound had solidified into the instantly recognizable brand of rock n’ roll that's defined them since. For Hard Times, Social Distortion consists of Ness and longtime guitarist Jonny Wickersham, along with bassist Brent Harding and drummer David Hidalgo, Jr. These days the band is rarely off the road for long, and continues to grip fans who have been around since "Mommy's Little Monster" while drawing new ones who discover the band through hand-shot YouTube clips. "I see people bringing their kids to shows," Ness says. "And I see kids bringing their parents." Social Distortion is a mix of potent power, appeal across all age brackets and a genuine satisfaction at reaching as many people as they have. "I write songs for myself, and I hope that other people will like them too," Ness says. "I think every record you make is showing people what you've learned over the past few years. It's showing people, 'This is what I know.' "
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Dave Hidalgo Jr. (Drums)
A blast as usual although when getting merch a drunk guy rush d the line getting f SD mechanic and cold cocked a guy buying merch in front of his girl I am a first responder in mental health and have a duty to respond in the situation should of had more security when they arrived they handled it however there was a big delay in getting them over and a lot was happening could of been a lot worse
Hollywood Palladium Los Angeles, CAGreat show! Social D were on point with a nice long set comprised of songs from across albums. Same with Descendants. I only wish The Chats got more than a 30 minute set, they were great. The Anthem is a great venue. Plenty of bars and even good food, as well as the standard stale popcorn and chips. We had GA tickets for this show - I’m just 5’4” but got a pretty good view of the band.
The Anthem Washington, DCSocial d never fails to perform at top performance, Mike ness is a genuine gem to the music , the venue was great ,sound system a bit negative but overall ok. Parking was easy and plenty across the street from venue. Security was strong and kept an eye out crowd surfers were removed fast lots of moshing surprised me that social d still gets this reaction from old to new fans . Great show.
The Observatory North Park San Diego, CAWOW!!! I’m speechless! Best Guitar Sound I ever heard in a long long time (even better than SLASH at the same venue, I don’t joke!), That was generally just a magic night of nice & true music at it’s best..! Very big thanks Social D and all the crew for the hard work & the outstanding show; (especially to the sound engineers) I hope I’m able to see you again as soon as possible !
X-tra Zürich, SwitzerlandIn no world does social distortion open for bad religion. Least of all a small venue in Detroit where people were still lined up to get in when they started. Mike needs to take the reins here and just assign bad religion opening duties. They are not on the same level and when a ticket costs $45 plus outrageous $22 fees, I don’t want to miss even a minute of social d!
Masonic Temple Theatre Detroit, MIYes, Social Distortion is currently on tour. If you're interested in attending an upcoming Social Distortion concert, make sure to grab your tickets in advance. The Social Distortion tour is scheduled for 7 dates across 4 cities. Get information on all upcoming tour dates and tickets for 2026-2027 with Hypebot.
Social Distortion is scheduled to play 7 shows between 2026-2027. Buy concert tickets to a nearby show through Hypebot.
Social Distortion's tour starts Oct 03, 2026 and ends on Nov 17, 2026. They will play 4 cities; their most recent concert was held in San Diego at Gallagher Square and their next upcoming concert will be in São Paulo at Vibra São Paulo.
As part of the Social Distortion tour, Social Distortion is scheduled to play across the following venues and cities:
